1. Kontturi, K.-K. (2018). Ways of Following: Art, Materiality, and Collaboration. Open Humanities Press.
    • Explores the relational dynamics between art, materiality, and collaboration, emphasizing how these elements interact in contemporary artistic practices.
  2. Davis, H. & Turpin, E. (Eds.). (2014). Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies. Open Humanities Press.
    • Discusses the impact of the Anthropocene on the arts, exploring how aesthetic and political issues intersect with environmental changes.
  3. Cottrell, S. (2017). Critical Thinking Skills: Developing Effective Analysis and Argument (3rd ed.). Palgrave Macmillan.
    • A comprehensive guide to developing critical thinking skills, focusing on analysis, argumentation, and reflective practice.
  4. Williams, G. (2014). How to Write About Contemporary Art. Thames & Hudson.
    • Provides guidance on writing about contemporary art, including how to interpret, analyze, and discuss modern artworks effectively.
  5. Robson, C. (2011). Real World Research (3rd ed.). Wiley.
    • A resource for applied social research methods, detailing various methodologies, ethical considerations, and the role of theory in practice.
  6. Haraway, D. J. (2016). Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press.
    • Explores themes of kinship, environmentalism, and survival within the framework of the Anthropocene, advocating for collective responsibility and action.
  7. Berger, J. (1972). Ways of Seeing. Penguin Books.
    • Seminal text on visual culture, examining how we perceive art and the underlying social and political implications of our visual interpretations.
  8. Evans, J. & Hall, S. (Eds.). (1999). Visual Culture: The Reader. Sage.
    • Compilation of essays on visual culture, exploring how visual experiences shape and are shaped by cultural and social contexts.
  9. Steene, M. (2019). Exploring the Margins of Art. Invisible Books.
    • Discusses art created on the fringes of society, including works by artists in asylums and other non-mainstream environments.
  10. Whitechapel Gallery. (2015). Materiality. MIT Press.
    • Examines the role of materials in contemporary art, discussing their physical, conceptual, and temporal aspects.
  11. Harrison, C. & Wood, P. (Eds.). (2003). Art in Theory 1900-2000: An Anthology of Changing Ideas. Blackwell Publishing.
    • Provides a comprehensive overview of the major developments in art theory from the 20th century.
  12. Graylingwell Heritage Project. (2019). Beneath the Water Tower. Self-published.
    • Details the history and impact of Graylingwell Asylum, focusing on the experiences of female patients.
  13. Walker, B. (2006). The Woman’s Dictionary of Symbols and Sacred Objects. Harper San Francisco.
    • Catalogs symbols and objects that have represented women throughout history, exploring their cultural and sacred meanings.
  14. Hessel, K. (2021). The Story of Art Without Men. HarperCollins.
    • Art history re-examined to focus exclusively on female artists, reworking traditional narratives to highlight women’s contributions to art.
  15. Blazwick, I. (2020). Cornelia Parker. Thames & Hudson.
    • A retrospective of Cornelia Parker’s work, featuring full-color illustrations and critical essays.
  16. Dismorr, J. (2018). Radical Women: Jessica Dismorr and Her Contemporaries. Lund Humphries.
    • Chronicles the careers and artistic contributions of Jessica Dismorr and other female artists from the early 20th century.
  17. Tate Publishing. (2020). Maria Bartuszova: Provisional Forms. Tate Publishing.
    • Focuses on the work of Maria Bartuszova, examining her unique approach to biomorphic and organic sculpture.
  18. Morris, F. (Ed.). (2007). Louise Bourgeois. Rizzoli.
    • Comprehensive retrospective of Louise Bourgeois’s work, examining her exploration of feminism, the body, and personal history.
  19. Kelly, M. (1996). Mary Kelly. Phaidon Press.
    • Discusses Mary Kelly’s contributions to feminist art, including her explorations of motherhood and female identity.
  20. Enriquez, M. S. & Salcedo, D. (2016). Doris Salcedo: The Materiality of Mourning. Harvard Art Museums.
    • Examines Salcedo’s approach to themes of mourning and memory, particularly focusing on her installations and sculptures.
  21. Heyse-Moore, D. (Ed.). (2023). Sarah Lucas: Happy Gas. Tate Publishing.
    • Analyzes the provocative work of Sarah Lucas, exploring themes of body, gender, and rebellion.
  22. Arts Council Collection. (2020). Breaking the Mould: Sculpture by Women Since 1945. Arts Council.
    • Celebrates the contributions of women sculptors post-1945, highlighting the diversity and innovation of their work.
  23. Grosz, E. (2008). Chaos, Territory, Art: Deleuze and the Framing of the Earth. Columbia University Press.
    • Discusses the intersection of art, philosophy, and geography through the lens of Deleuze’s theory, emphasizing the chaotic and transformative potential of art.
  24. Pollock, G. (2017). Vision and Difference: Feminism, Femininity and Histories of Art. Routledge.
    • Argues for the importance of feminist perspectives in understanding and re-evaluating the histories of art, particularly through the lens of gender and difference.
    • Doris Salcedo – Materiality of Mourning – 2016 – With Mary Schneider Enriquez published by Harvard Art Museum